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Brad Davis: Quotes & Reviews
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What are folks -- DJs, fellow artists, and fans -- saying about Brad Davis and I'm Not Gonna Let My Blues Bring Me Down? Brad Davis
is a talented guitarist, songwriter, and singer who has spent more than
a decade backing up Marty Stuart's rockin' country. He recently worked
in Billy Bob Thornton's roots rock-band and has played lead guitar with
banjo master Earl Scruggs. The 14 tracks here, both covers and original
material, show that Davis can easily hold his own as a lead artist in
that company. The title track, as you might expect, leans toward the blues
and rock side of country. Then Davis takes a quick turn into bluegrass
with the originals "Old Number Nine," "Dawg Diddy," and "Big Timber."
"Cypress Walls" and "Where You Belong" tread a more country line, while
a cover of the traditional "Rank Stranger" emphasizes the blue side of
bluegrass in a duet between Davis and Kelly Knolf. If you enjoy progressive
bluegrass, acoustic country, or even some of the rootsier rock bands,
you'll like this record. Sam Bush, Thornton, Scruggs, and Jon Randall
are among the guests, and it sounds as though they all had a really good
time working on it. Davis mixed the tracks, as well, showing a fine ear
for the best way to present his music and the ensemble work of his talented
friends. A cure for the Twain/Brooks blues, September 2, 2003 If you agree, with Steve Earle, that Shania Twain is the highest paid lap dancer in Nashville, that guitar-smashing Garth Brooks is "kind of evil," and that the Nashville sound is the sound of the lowest common denominator, here's a cure. Brad Davis is an exemplary flatpicker and songwriter who will probably never make it big. He's too real. Has too much integrity. He's real country, not pop with a twang. This is American roots music at its finest. Buy two and give one to a friend. David Bower for Amazon.com Brad Davis
is a great musician and singer. He really shines on this project. I'm
glad to endorse this music and Brad. He's also a fine young man whom I'm
glad to call friend. Having spent the last 10 years attending
honky-tonk university as Marty Stuart's lead guitarist, you could say that Brad Davis has now earned
his degree. This mostly acoustic solo debut at last puts the spotlight cleanly on him, despite
the presence of heavy-hitting guests like Earl Scruggs, Billy Bob Thornton, Styx's Tommy Shaw
and others. Brad also plays bass and drums on most cuts, but the primary focus is on his guitar
and mandolin playing, singing and songwriting, and he earns his diploma by doing a fine job
of them all. Brad Davis is well known as a guitarist
in Marty Stuart's band and he has several instructional guitar products with Flatpicking Magazine.
So it's no surprise that Brad's instrumental, "California" is full of fast-paced guitar licks
and a wide-open feeling that seems to reflect the wide panorama of people and places in California.
Brad does triple duty on this one with guitar, mandolin and bass. He also wrote "Dawg Diddy," a
jazz-influenced song with David Grier on guitar and Brad on mandolin, bass, drum and vocals. Brad
easily shifts between several instruments and he wrote several of the songs as well. Bill Bob Thornton
is featured on Brad's "Tell Me Son," a stark song of soldiers facing battle and gathering
courage. It's a strong song given these times of war. One can
certainly point to the high-profile guest stars who are heard on the debut
album of journeyman guitarist Brad Davis, and a sticker on the shrink
wrap of the CD does just that, noting the presence of Earl Scruggs (banjo
on "The Clock Strikes Twice"), Tommy Shaw of Styx (vocals on "Tell Me
Son"), Sam Bush (mandolin on "Old Number Nine"), and actor/singer Bill
Bob Thornton (vocals on "Tell Me Son"), among others. But the guest shots
give a false impression of the contents of this album, which is a solo
tour de force by Davis, who overdubs several instruments on most tracks,
playing guitar, mandolin, bass, drums, and percussion in addition to singing
lead vocals and handling all the technical aspects of producing, engineering,
mixing, and even mastering, having written or co-written all the tracks
except the traditional "Rank Stranger." Davis' prominent guests are also
his employers; he has served as lead guitarist for the likes of Scruggs,
Thornton, and Bush, not to mention a longstanding association with Marty
Stuart. And it is Davis' acoustic guitar-picking that stands out on many
of these tracks, which reveals a distinctive instrumental style on his
part, but one steeped in country and bluegrass tradition. Davis' songs
border on the generic, but they serve as good platforms for him to pick,
either with himself or one or more of his guests. He may not be ready
to join his friends as a frontman quite yet, but I'm Not Gonna Let My
Blues Bring Me Down is a good beginning for his solo career. When flatpicking
legend Brad Davis was assembling the players for his most recent solo
record for Flatpicking Guitar Magazine's label, he had no problem
recruiting some great talent. Brad was Marty Stuart's guitar player for
11 years, and currently has a busy schedule as guitar player for Earl
Scruggs, Sam Bush Band, and actor/musician Billy Bob Thornton's band. I've probably said this before, but one of the joys of the independent reviewer is never knowing what will come out of the speakers when you pop in an unsolicited CD. Well, truth be told, it is not always a joy, but certainly has been in this case! I admit I'd never heard of Brad Davis. When I read the CD title, I thought I'd hear a blues recording that wouldn't really be appropriate for my reviews. That feeling was lessened when I saw the envelope had flatpick.com on the return address - that didn't sound too bluesy. This is one of those recordings that is difficult to pigeon-hole. It is acoustic music with a beat. It is blues and country influenced bluegrass. It has some of the high-harmonies of the currently popular roots resurgence. It has great flatpicking instrumentals. It has folk songs. Sort of a guitar stew with lots of interesting bits mixed in. I believe this harmonious mixture of styles is one of this recording's strengths. Some pure genre CDs can have great tunes, but can become too much if you try to listen to the whole recording in one sitting. "Not Gonna Let My Blues Bring Me Down" is currently my favorite CD to play on the road. I brought it into the office to write this review, but it is going right back for my next trip. Brad Davis has toured five years with Warner Bros. recording artist - The Forester Sisters, two years with The Sweet Hearts of the Rodeo and ten years with Marty Stuart. Brad currently tours with: Earl Scruggs, Marty Stuart and his own band, White Water. Brad picks exceptionally fine guitar on all tracks, plus mandolin, bass, drums, upright bass and percussion. He sings lead on many of the songs, but also features vocals by Jon Randall Stewart, Billy Bob Thorton, Tommy Shaw, Kelly Knolf and John Jorgenson. Musical assistance is from such as Sam Bush, brother Greg Davis, Jon Randall Stewart, Rob Ickes, Glen Duncan and Earl Scruggs. Five of the 14 tracks were written by Brad Davis.
Brad is active in all phases of guitar music. He has free guitar lesson
on his web site and also sells instructional materials including "Bluebook
of Speed Picking" and "Country & Bluegrass Rhythm Acoustic
Guitar." For the past seven years he has been a columnist for Flatpicking
Guitar Magazine. This album
is pure grass-roots and soul. I just can't put it down! The song
"Old Number Nine" is one of those unequalled train songs that
always bring that chill going down your spine when you are listening to
it. My audiences are really thrilled and keep asking for more and more
from Brad Davis. Brad Davis
can play like so many different ways you are bound to like one of them.
With all these guest stars you can't go wrong. I like the mood challenges
this CD brings, up and down. You can tell Brad loves his guitar by the
way he plays (track 11). I think you will love what you hear. I sure do. This album
comes straight out of the Blue and Groove-atous side of Americana/Bluegrass.
It's not your standard 'Been there, done that, what else do you have?'
kind of stuff...Too cool. This guy plays so fast and clean he must be
using a humminbird for a metronome. Brad evidently didn't get the memo:
If you can sing like this, you're not supposed to play great too. Talent
like this really ticks me off! I just
got the new Brad Davis CD in the mail, and I'm sooo stoked on it! This
is the acoustic album I've been waiting for since I picked up the acoustic
guitar. A brilliant fusion of rock, blues, bluegrass and hillbilly all
done on acoustic instruments! As much as I love all of the progressive
newgrass bands, and where they've been taking acoustic music, for me,
what Brad is doing is something I hope will become a big part of the acoustic
music scene and is far more appealing to me musically than a lot of newgrass
stuff. Brad's playing is, as always, phenomenal, but this CD shows him
in so many different lights (and playing sooo many different instruments)!
It's early yet, but this could easily be my favorite acoustic music CD
of all time. Bluegrass that rocks! |
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